Thursday, October 14, 2010

Heads up for Voice Acting opportunity

Ok, real hush-hush like, know wha' I mean?

We'll be looking for the following voices in a couple of weeks:
1) Male: American accent but not heavy, maybe Brooklyn.
2) Female: Boston accent, "almost English" according to the writer.

Character voices:
1) Male: Gruff, deeper, Brooklyn (see Team Fortress 2's Scout but add the gruff in).
2) Male: Japanese accent but speaking American.
3) Male: Chinese accent, in America.
4) Female: Woo-woo hippie, maybe "big mama" maybe "flower power" + too much pot.
5) Male: Ned Flanders (ie The Simpsons) like.

Yes, generally light American accents (more global mah) but with various twists in it.

We'll be approaching a certain studio at the top of the hill in Bangsar. Take a turn up Cotton Road and you'll get there.

Good luck!

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Sunday, October 14, 2007

Rose Rose I Love You

Set in post-war Malaya during the 1950's, "Rose Rose I Love You" follows the lives of a travelling troupe of performers, each struggling just to make it. The performers nightly earnings are dictated by applause - the more they get, the more they earn.

Needless to say, they stop at nothing to outdo each other at every performance. All that glitters is not gold, and likewise the glamour of being an entertainer does come with a flip side, and can indeed be a double-edged sword...

Though "Rose Rose I Love You" is inspired by the life and times of Rose Chan, the legendary cabaret queen of Malaya, the characters in the show are a representation of a composite of people the writers have come across, in some way or another, in their lives.

"Rose Rose I Love You" is written by Yim Mei Choo and Low Ngai Yuen and features a stellar cast consisting of Tin Tan, Carmen Soo, Tony Eusoff, KK Wong, Maria Yasmin Domingo Amon, Zalina Lee, Gan Hui Yee, Ho Soon Yoon, Lim Tiong Wooi, Johann Lim, Kerry-Ann Khoo, Bella Rahim and The Stilletos comprising Angie Teoh, Anrie Too and Colleen Daphne Chung, amongst others.

With musical direction by Penny Low and choreography by Loke Soh Kim. Presented by Integrated Expressions.

[from the kakiseni.com entry]

When?
2nd-4th & 9th-11th November 2007

Where?
Genting International Showroom

What time?
8.30pm

How much?
RM68, RM88, RM118
*10% off for Astro subscribers
*15%off for Genting WorldCard members
*limited student concessions available, RM38 - limited to 2 tickets per student card (hunt down Sharon @ 012 396 2840 or Cindy @ 012 292 3803)

For general tickets/enquiries call 03-2718 1118.
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NB: Both Sunday 4th and 11th shows (8.30pm) are SOLD OUT. However, we will have an additional 3pm show.
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Check out the blog here and win free tickets!

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Friday, February 23, 2007

All luvved up

Thus ends the opening night of Ah Steve. It ran wonderfully, with all of us feeling the buzz of energy and the enjoyment of the crowd and then later seeing who it was exactly who came for the show. There's something wonderful about seeing familiar faces from your life who are beaming in happiness for you. Thank you so very much for coming and waiting, guys - it means so much to me.

Of course, what made it especially wonderful and magical tonight was that M was there. How do I put into words those moments - from the meeting of the eyes, to the first words, the first touch, the enjoyment of each other's company once again, the goodbye. Last time I called it 'joyous ecstasy and deep sadness', and that's it all over again. I think in my past month of busying myself with everything in my life, my love and care for her got pushed to the further corners of my mind; tonight, it all came surging back. Someone just said, "she's your biggest fan lah," and that broke my heart all over again. Not in a bad way, but in a really beautifully bittersweet way. My words are failing me (several glasses of wine might have have something to do with it) - in essence, we still care a lot for each other, and yet are steadfast in our stance of how our relationship should go on. So tragic hor? Or in the words of the immortal HT - a Greek tradegy.


What next?

Continuing the theme of being luvved up, L said something absolutely wonderful to my ears. She's (not-so-) secretly praying that I don't get an on-stage part of Tunku so that she can have me assisting backstage. Yeah I don't care much for that praying bit, but it's nice to be wanted, isn't it?

But I'm sorrylah babe, I'm aiming for a lead role. God knows what that role is, but if it can somehow fit I want it. The masochist within wants to be belasah-ed kau-kau by Mervyn.


Agel & Urgency

The thing I've always hated about the word 'urgency' is that I'm not sure how to answer the question "what is it". Conceptually I know it is the antithesis of procrastination, and that it encapsulates "do it now 'cos there's no better time", but such platitudes don't adequately answer the question. Whatever, I'll bullshit my way through when someone decides to ask me.

The reason I bring it up is because of this: in Agel, the compensation plan brilliantly rewards the "correct behaviour" - one of them being urgency. This is a business - you go out there, take action and make yours work. However, I know someone who has been thinking about joining for the longest time - 4/5 months, at a guess. I really believe that he does want to join - but he's waiting for something. Lord knows what that is, but in his dilly-dallying he's missed a few massive opportunities to reduce his workload to make a lot of money.

Look, dude. A huge reason to join Agel is timing. When you have the opportunity to be responsible for bringing leaders into the business; leaders who will be the reason for Agel's success, who see more potential in it than you do and want to make it happen for them - you take it. There's more work because it's new, but there's more rewards because of that work.

Grab life by the balls, make sure you have yours, and go make shit happen man!


More on loneliness

This arrived in my mailbox recently:

If you are afraid of being alone, you are dependent on others for your sense of self, and if you are dependent on others, you block your receptivity to inner guidance. Being willing to be alone involves being willing to be different, to have commitments and values that don’t blend with any crowd.
-- Ingrid Bacci

Show some love to the loner within. The lone ranger within.

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Tuesday, February 13, 2007

Ah Steve


‘I’ve always been a good Catholic boy. I’ve been baptized, go to church every Sunday, and confess even when I didn’t do any sins. And now at 30, I think I know how to be happy.’

‘Ah Steve’ is a story of a Chinese boy who prays to his dead mother everyday. On Sundays, he prays to Jesus.

This Christmas, there is a problem at the church. The youth wing of the Church wants to put up a nativity play and Ah Steve wants to be part of the show. However, because ‘all the man parts in the show tok in hard bible words I cannot pronounce’, Ah Steve has to play a woman part - Mother Mary.

The problem is, Ah Steve feels very happy donning Mary’s costume and lipstick. It reminds him of his Mama’s shoulder pads, and the mascara he used to see his Aunt Tabitha wipe off her face, and of My Little Ponies! Horse dolls he never had a chance to play with because his staunch Catholic Aunty Tabitha thinks it is a sin!

Ah Steve is a story of a boy who woke up one day crying because he felt happy to be called Mary, even if for a day. It is a story of lip gloss, Church hymns, Chinese ghost stories, and of course, My Little Ponies.

Ah Steve is in English with bits of Hokkien.


Dates and Times:
The Actors Studio @ Bangsar Shopping Centre
22nd Feb - 4th Mar
-- Tues-Sat at 8.30pm
-- Sun at 3pm
-- No Show on Mondays
Box Office Contact: 03 2094 0400/1400

The Actors Studio @ Greenhall Penang
9 - 11 March
-- Fri & Sat at 8.30pm
-- Sun at 3pm AND 8.30pm
Box Office Contact: 04 263 5400


Ticket Prices:
RM30 (Adults)
RM15 (Students, Disabled, Senior Citizens)
*Free Celebrity Fitness passes for each ticket purchased. Celebrity Fitness members enjoy a 10% discount on tickets.

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